Ives Maes

Sunville is a research on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself
Ives Maes Sofie Van De Velde Gallery
Sunville is a research on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
Sunville is a research on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
Watou 2021 Ives Maes camera obscura pavilion
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
Gallery Sofie van de velde, Ives Maes, Sunville
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself
Sunville is a research by Ives Maes on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
Ives Maes Nelson-Atkins Museum of Art Kansas City
Future of Yesterday Ives Maes EPS-HEP conference Curatorial Studies KASK art and science art@CMS CERN Geneva.
Museum Dhondt-Dhaenens