Ives Maes

Sunville is a research on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself
Sunville is a research on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
Ives Maes Sofie Van De Velde Gallery
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself
Sunville is a research by Ives Maes on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
Sunville is a research on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
Sunville is a research on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
Museum Dhondt-Dhaenens
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself