Ives Maes

Sunville is a research on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself
Ives Maes Sofie Van De Velde Gallery
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself
Ives Maes Sofie Van De Velde Gallery
Sunville is a research on the objecthood of photography that ranges from old photographic techniques and expired film to digital 3D technology
Ives Maes has re-photographed archival images as well as his own pictures, taken in 2009 and 2013, from the “All Union Agricultural Exhibition”. These former images are juxtaposed with new photographs taken during the build-up of the Moscow Biennial.
Ives Maes Sofie Van De Velde Gallery
Ives Maes KMSKA Kosmorama Royal Museum of Fine Arts Antwerp World’s Fairs Expo
Future of Yesterday Ives Maes EPS-HEP conference Curatorial Studies KASK art and science art@CMS CERN Geneva.
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself