Ives Maes

Future of Yesterday Ives Maes EPS-HEP conference Curatorial Studies KASK art and science art@CMS CERN Geneva
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
Ives Maes' Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself
Ives Maes KMSKA Kosmorama Royal Museum of Fine Arts Antwerp
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
Ives Maes Forbidden Fruit Create Many Jams Sofie Van De Velde Gallery
Ives Maes KMSKA Kosmorama Royal Museum of Fine Arts Antwerp World’s Fairs Expo
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
Ives Maes Forbidden Fruit Create Many Jams Sofie Van De Velde Gallery
Watou 2021 Ives Maes camera obscura pavilion
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself
The Future of Yesterday is a photographic series about the architectural remnants of world exhibitions, often revealing an ironic contrast between the grand utopian views of times past and the urban reality of today
The Recyclable Refugee Camp, a group of biodegradable objects, tackles the ethical imperative that encourages art to intervene in the world, localizing the epicenter of a new utopia inside the boundaries of the art world itself